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  <title>How Samsung became a design powerhouse</title>
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   <placeTerm type="text">Boston</placeTerm>
   <publisher>Harvard Business School Publications</publisher>
   <dateIssued>September 2015</dateIssued>
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  <extent>p. 72 - 78</extent>
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 <note>Until&#13;
 20 years ago, South Korea’s Samsung Electronics manufactured &#13;
inexpensive, imitative electronics for other companies. Its leaders &#13;
valued speed, scale, and reliability above all. The few designers &#13;
working for the&#13;
company were dispersed in engineering and new-product units, and they &#13;
had little status in an organization that emphasized efficiency and &#13;
engineering rigor. Then, in 1996, Lee Kun-Hee, the chair of Samsung &#13;
Group, grew frustrated by the company’s lack of innovation&#13;
and concluded that in order to become a top brand, Samsung needed &#13;
expertise in design, which he believed would become “the ultimate &#13;
battleground for global competition in the 21st century.” He set out to &#13;
create a design-focused culture that would support world-class&#13;
innovation. But shifting to an innovation-focused culture without losing&#13;
 an engineering edge is not a simple matter. It involves managing a &#13;
number of very real tensions. Samsung’s success in making this shift &#13;
stems from a single early decision—to build design&#13;
competency in-house rather than import it. The authors describe how the &#13;
company created a committed, resourceful corps of designers who overcame&#13;
 internal resistance by deploying the same tools they use in pursuing &#13;
innovation: empathy, visualization, and experimentation&#13;
in the marketplace. [ABSTRACT FROM AUTHOR] &lt;br&gt;</note>
 <note type="statement of responsibility"></note>
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 <identifier type="isbn">00178012</identifier>
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  <physicalLocation>Perpustakaan - Sekolah Tinggi Manajemen PPM Pusat Informasi Manajemen</physicalLocation>
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